Art Nouveau (1880 – 1910) was a reaction to academic art through the use of organic forms, curved lines, and unity with the natural environment. People embraced it by bringing this decorative style into their households and supporting it in the fine arts as well. A new style that rejected the imitation of the past. Art Nouveau embraced new materials and electrical lighting as well as modern industrialization. It is a blending of art which included art glass, painting and sculpture. A period of great exploration and the embrace of returning to nature. Art and the objects of art become a part of the interior. It was a style that was very ornamental, but it was not based on past historical design and it always referenced nature. Below are pictures that highlight "a new style for a new age". I personally find the style the quirky and very appealing. As to whether it fits my Parisian Chic I am uncertain yet, I will need to make some mock screen prints with the Art Nouveau style.
I have started looking pattern inspiration for the Art Nouveau. I am loving how the pattern is really twisting and curving.
A French designer I have took interest in is Louis Majorelle. I came across him whilst looking for Art Nouveau inspiration. Louis Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the cabinet making. He was one of the outstanding designers of furniture in the Art Nouveau style. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé, inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings, and exterior details on many buildings in Nancy at the turn of the twentieth century. Some of his original woodwork designs can still be found in Grand Hotel Moderne, Lourdes. Often collaborating on lamp designs with the Daum Frères glassworks of Nancy, he helped make the city one of the European centers of Art Nouveau. At the apogee of the Belle époque, during the 1900 Paris World's Fair, Majorelle's designs triumphed. By 1910, Majorelle had opened shops for his furniture in Nancy, Paris, Lyon, and Lille.
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